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Phillippa Yaa de Villiers
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Phillippa Yaa de Villiers : ウィキペディア英語版
Phillippa Yaa de Villiers

Phillippa Yaa de Villiers (born 17 February 1966)〔(Phillippa Yaa de Villiers biography ) at Lyrikline.〕 is an award-winning South African writer and performance artist who performs her work nationally and internationally. She is noted for her poetry, which has been published in collections and in many magazines and anthologies, as well as for her autobiographical one-woman show, ''Original Skin'', which centres on her confusion about her identity at a young age, as the bi-racial daughter of an Australian mother and a Ghanaian father who was adopted and raised by a white family in apartheid South Africa.〔("Profiles – 8 South African Women Writers" ), African Writing Online, December/January 2008.〕 She has written: "I became Phillippa Yaa when I found my biological father, who told me that if he had been there when I was born, the first name I'd have been given would be a day name like all Ghanaian babies, and all Thursday girls are Yaa, Yawo, or Yaya. So by changing my name I intended to inscribe a feeling of belonging and also one of pride on my African side. After growing up black in white South Africa, internalising so many negative 'truths' of what black people are like, I needed to reclaim my humanity and myself from the toxic dance of objectification."〔("Thoughts behind Indegenius: concept for the 29th" ), Pulse, 8 November 2014.〕 As Tishani Doshi observes in the ''New Indian Express'': "Much of her work is concerned with race, sexuality, class and gender within the South African context."〔Tishani Doshi, ("Poetry Beyond the Edge of Time" ), ''The New Indian Express'', 4 October 2014.〕
==Biography==
De Villiers was born at Hillbrow in Johannesburg,〔("About Phillippa Yaa de Villiers" ), The Poetry Archive.〕 where she spent the first months of her life in The Princess Alice Home, a facility for adopted babies. Half-Australian and half-Ghanaian,〔 she was adopted at nine months of age, although not told of it by her white adoptive parents until she was 20 years old.〔(Poets on Adoption ), 11 April 2011.〕 She has written about the impact of these experiences:
"I started writing poetry when I was a child, my first published poem was when I was 11. I was brought up in a home that loved poetry and literature, especially the English language. But it was only when I was older that I realised that writing is so much more than words playing on a page. Writing contains the writer, their concerns, their social context and their history. My own history became a block to my creativity as I started to explore my identity as a black woman adopted by a white family in apartheid South Africa. I felt like the colonised and the coloniser were fighting each other inside my brain. Writing continued to be important to me but I was convinced that it was simply a therapeutic process, of no value to anyone else.
As a mixed-race African and adoptee I feel, paradoxically, oppressed and completely free....My adult life has been largely devoted to healing this rift. The freedom of my paradoxical position, is in fact that I don't have the constraints of a traditional role and I have access to the world."〔

She studied for a journalism degree at Rhodes University, Grahamstown,〔(Biographical note, Jozi Book Fair 2009. )〕〔(Phillippa Yaa de Villiers page ) at Passa Porta, International House of Literature in Brussels.〕 and also obtained an Honours degree in Dramatic Art and Scriptwriting from the University of the Witwatersrand.〔 She is a graduate of the Lecoq International School of Theatre in Paris, France, where she studied mime and theatre.〔(Biography at Badilisha Poetry. )〕〔(Biography at Centre for Creative Arts (CCA) ), University of Kwazulu-Natal.〕 She then spent some time living in Los Angeles〔 before returning to South Africa in 1998 to settle in Johannesburg.〔 She worked as an actor for two years "and then Bell's palsy sent her towards writing as an alternative career. She continued to participate in street theatre and went to school to learn scriptwriting".〔
Over the next eight years she wrote television scripts,〔 for shows including ''Backstage'', ''Tsha Tsha'', ''Thetha Msawawa'', ''Takalani Sesame'' and ''Soul City'' among others,〔〔 and she collaborated with Pule Hlatshwayo and Swedish writer Charlotte Lesche to create ''Score'', a three-hour miniseries for Swedish Broadcasting and SABC.〔〔 In 2005, de Villiers won a mentorship with English poet John Lindley through the British Council/Lancaster University's distance learning scheme "Crossing Borders".〔〔("Crossing Borders: New Writing from Africa" ), British Council.〕 She wrote a two-hander play called ''Where the Children Live'', which was runner-up for the best writer award and won the audience appreciation award at the national Pansa Festival of Contemporary Theatre Readings in 2005.〔(Phillippa Yaa de Villiers ) @ Books LIVE.〕

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